Showing posts with label management. Show all posts
Showing posts with label management. Show all posts

Wednesday, July 7, 2010

Organizational Responsibility

Is it possible to adopt a new paradigm? Who's to blame? Things go wrong and someone’s got to take the hit right?

Inspired by recent events with BP and other corporate calamities I put together this two minute video conversation starter...

How would innovation change in an organization if we became more responsible for each other? What would that organization look like? How would you feel? And how would you perform?

Please add your voice to this conversation starter...


Wednesday, September 9, 2009

Leadership & Storytelling Part 12b of Many...

PART II: MODELING COMPETENCY OF THE INTERACTION RING


Let’s move to the second aspect of modeling. Explaining an idea with words can take a fair amount of time. Each piece of the idea has to be carefully laid out and all of the pieces have to be put in order. I am always amazed at how much time it takes me to present an idea when I lecture. The same idea can almost always be quickly grasped with a simple illustration that takes a fraction of the time compared to more didactic modes of communicating. That of course leaves us lecturers without much to say and our recipients with more retention. The problem lies in the effort it takes to come up with a compelling illustration.

I was teaching a technical writing course. In one of the exercises I had the group write a technical explanation for some engineering principles that could be understood by a twelve year old and that used an analogy to help explain the principle. They were forced to use constructs that an average twelve year old would know. It proved to be tough to come up with analogies but when they did they were amazed at how simple the principles really were and how easily they could be explained. There is a natural fear that if you over simplify an idea people will miss out. That is an incorrect assumption. Once a construct is in place it is far easier to refine it. Much of what we assume to be important turns out to be unnecessary detail that cannot nor need not be retained by most people.

We can model with words by coming up with analogies, similes, anecdotes, or metaphors to illustrate our ideas. This is a form of synthesis. We are using a known entity to explain a new one. A new entity can be explored by establishing a baseline with a known one. In essence we are creating word pictures. Through words we are painting vivid pictures. The assumption is that these pictures have a correspondence with our listeners’ experiences. We are invoking their imaginations. Our models as word pictures serve as tantalizers, which summon rich associations. Without some form of association our ideas will fizzle before they ever come to life. This next exercise explores the key questions you need to answer in order to effectively model with words.


Exercise: Modeling Competency – Answering the Key Questions


Here is a mental checklist of questions to run through when you are interested in using verbal models:

1. What do I want to communicate?
2. What constructs are known to this person or group?
3. How does the new construct relate to what is already known and understood by them?
4. Are there gaps between the two constructs being related to one another?
5. If there is a gap, can we work within the proposed model to explicate the differences?

Pick an occasion when you will need to explain something to an individual or group. Walk through the questions above and come up with some potential models. Try them out and evaluate the impact. How did you close the gap between the model you used and the full construct you were trying to communicate? Did you notice any difference in the recipient’s level of engagement? How did they respond?


It is not important for our model to be perfect. Inevitably it will fall short. However, once we have a fertile learning space we can expand our model and allow the recipient to refine it to successfully complete the transfer of information. Stories are tools for thinking. When we use word pictures and facilitate a discovery process to close the gap between the model and the desired construct being transferred we are engaged in using stories as tools for thinking.


Organizational Practices for the Interaction Ring

Communications can be so stiff in organizations. Efficiency rules and stories are deemed as inappropriate. We do not make the time to work with stories. I’ve already argued that stories are the most efficient way of storing, retrieving, and conveying information. Since story hearing requires active participation on the part of the listener, stories are the most profoundly social form of communication.

In one of my workshops I had a Director of Engineering. He was an extraordinarily bright individual, fair minded and even in his approach to all things. However, he struggled with how to invest time in the people around him. When a project called for it he would gladly work with whoever needed his guidance but as a general rule he preferred the solitary peace of his unperturbed work environment. Throughout the workshop I kept pushing him to see the value and long-term speed of a sinuous path between two points. In other words I was challenging him to discover that sometimes engaging in inefficient behaviors such as mutual storytelling sows seeds for future benefits. He could see my point intellectually but I could tell he was struggling with its application. So I gave him a homework assignment. I instructed him to come in the next day with three or more stories that he was instructed to weave together into a story collage. The next morning he came in very excited. He shared with me how he came up with three stories while he was running. Upon examination he was surprised to realize that the stories were not personal. In fact, he further realized that he had a habit of never using personal stories. Next he sat down and started thinking about some key personal stories and before long he had a string of them. The class was amazed when he sat in front of the group and began his web of stories with an explanation of the instructions I had given him the day before and the series of events leading up to his discovery of his personal stories. That was just the tip of the iceberg. His series of stories was rich, engaging, and full of insights. When he was done he sat back and smiled. Nodding his head he said, “Now I understand what you mean by a sinuous path being the shortest distance between two points.” He experienced the value of selecting and telling stories and realized they would not get in the way of him being more efficient. I also set him up to experience the model and I have the added pleasure of sharing his actions with you to reinforce my assertions.

Leaders need to promote telling stories, modeling behaviors to generate stories, and verbal models by practicing these competencies. We are not talking about the use of these competencies during only all-hands-on meetings or other large events. These competencies need to be seen all the time in every type of interaction. For less verbally oriented employees, written communications provide just as much of an opportunity to leverage the competencies of the Interaction Ring as any other. Individuals do not need to carry the burden of coming up with effective stories or models all on their own. This means these stories can be discovered in a collaborative process. People can work with one another to turn an idea into a compelling story or model. Until it becomes second nature, story facilitators can be used to help organizations develop repeatable processes for leveraging the competencies in the Interaction Ring. These processes should be woven into a wide range of organizational activities. As a facilitator I might prompt someone to support the introduction of a new idea by telling a story or providing a model. Clear command of an idea is demonstrated by the use of either one of these.

Selecting stories is a central part of an organization’s’ knowledge management efforts. What stories are chosen to become a part of the formal institutional memory? Contrary to what many assume, these stories are better selected by employees rather than its leaders. Certain stories will naturally rise to the surface. Stories like how the organization started, what some of the early days were like, etc… The stories with the greatest impact will come from the memories of individuals both inside and outside of the organization. These are all the hidden gems. If leaders encourage people to remember stories and carry them forward there will be less pressure on them to broadcast the perfect story. In this sense, organizations can support the development of all the competencies in the Interaction Ring by providing employees with ample opportunities to share stories.


SUMMARY OF THE INTERACTION RING

The competencies in the Interaction Ring are the most visible but the least important. The Process Ring and Core are the foundation. Selecting stories depends upon a rich index of stories that can only be gained through reflection, synthesis, and all of the listening competencies in the Core. We looked at some ideas on how to determine what kind of story to select. Telling stories was shown to be less concerned with execution and more concerned with being sensitive to expanding and collapsing the amount of detail in a story, eliciting stories from others, and telling stories in an interactive manner. We concluded our tour of the Interaction Ring by looking at the different ways we can use models.

Friday, August 7, 2009

Leadership & Storytelling Part 8 of Many...

Over the last seven blog posts I have characterized eight leadership behaviors. Before diving into our final one here's a recap of the first seven. I'm sure none of these will surprise you:

1. Cultivate Trust
2. Delegate
3. Manage Boundaries
4. Share Passion to Instill Passion
5. Recognize Talent
6. Park the Ego
7. Stop and Listen

And now for number eight...but wait be sure to add your commnets. What other key leadership behaviors you would add to this lsit. This isonly a conversation starter...

8. Know When and How to Take Risks


Without risk and uncertainty very little can be achieved. Jumping into a situation with reckless abandon is seldom fruitful and may simply be a different face of the same malady afflicting those who are paralyzed with fear and unable to ever take a risk. So there is a delicate balance between risk and safety. A leader must learn how to decide when to take a risk and how to take it in such a way as to minimize its potential damage. Part of success in risk taking lies in allowing others to take risks and trusting their judgment, especially when the risky action being considered lies closer to their realm of experience and knowledge than to yours.


Practice

• Challenge yourself to learn or try something new. Look for opportunities to get out of your comfort zone.

• Seek people who can act as your coaches.

In the next nine posts. I will discuss what I have discovered in my research, publishing, and coaching on storytelling skills for leaders. We will dive into nine story-based communication skills for leaders.

BTW thanks for reading and please share your thoughts!

Monday, August 3, 2009

Leadership & Storytelling Part 5 of Many...

How does clay and pottery have anything to do with leadership?

I am intrigued by the process of how raw clay is transformed into pottery. There is an inherent potential in the clay, then through motion of a spinning wheel, a little water, and skillful hands an object is born. Work is completed with the collaborative energies of active agents each working to do their part. Some of the forces emanate from the hands of the potter while others appear to have their own objective reality. The spinning of wheel strikes me as an apt metaphor of an organization and all of the outside forces swirl around it shaping its trajectory and unfolding stories.

The potter as leader, recognizes the inherent value of every piece of clay. Each clump of clay has a unique potential to become something special and is perfect in its own right until the energies of of its properties are unleashed by the intentions of the potter.

The act of molding clay is initiated by a drive to create. There may be a vision such as making a pot. The potter has the experience of having made many pots. There maybe goals of needing a pot to match others that have been made; but all of these visions, experience, and goals serve as context. The ultimate force of the potter is the drive to create. Her willingness to see how clumps of wet earth have so much more to offer. It is not an act of subjecting the clay to bend to her will. Rather it is a call forth into fruition. The potters technical skills are complimented and buoyed by her instincts and heart.

So...leaders need to:


5. Recognize Talent

Talent is everywhere, and everyone has unique gifts and talents. Recognizing talent can be a challenge, however; requiring leaders to suspend their biases, values,judgments, worldviews, expectations, and perspectives. In order to recognize talent,a leader may have to work with what on the surface appear to be shortcomings or liabilities to the organization and transform them into positive skills.


Practice

• Make a list of people you find it challenging to work with. Next to each name write a short description of why you find it difficult to work with that person.

• Now imagine how some of these traits you see as negatives might be seen as assets. Can you develop a game plan for doing a better job of leveraging these traits?

Sunday, May 31, 2009

Story-Based Communication






Here is a comparison of traditional forms of communication with story-based ones...

More Traditional Forms of Communication

Story-Based Communications

Explicit – information is presented in a direct, precise and clear manner.

Implicit – information is encoded in packets of compelling and memorable nuggets.

Logical – information is organized in an easy to follow linear fashion.

Evocative – information is more emotional in nature and lends itself to less structured types of presentations (including non-linear threads that can be followed and navigated based on people’s needs and interests).

Controlled – information is structured to leave as little as possible to people’s interpretation.

Emergent – information is meant to trigger people’s experiences, personal associations, and linkages.

Sense Giving – information is used to minimize uncertainty by offering tangible and discernable chunks of meaning.

Sense Making – information requires people to generate more of their own meaning and in some instances may leave people feeling uncertain as to the nature of the information until they do make sense of it for themselves.


Bear in mind both buckets are critical to the success of effective organizational communications. It’s just we tend to think of stories as another tool in the first bucket; we need to understand that stories operate best when they act as stimuli as opposed to information containers.

Stories achieve their greatest punch when they are used to create interlocking webs of meaning. A story used as a solitary chunk of communication is far less effective than when we find innovative ways to string associations of stories together. If one story paints a powerful picture what will several well integrated stories do, especially if we invite people to co-create them with us? Although this may seem counter intuitive, stories used to stimulate the storytelling of others yield the best results.

Think of story-based communication strategies as cloud chambers in your organization…

Cloud Chamber - apparatus that detects high-energy particles passing through a supersaturated vapor; each particle ionizes molecules along its path and small droplets condense on them to produce a visible track (definition courtesy of www.answer.com)

Stories act as organizational cloud chambers. They create a space of dialogue and sense making. This “story space” is where people interact with each other’s stories in different ways. Some interactions might occur as people reflect and react to organizational collaterals peppered with stories, some interactions might happen when we create formal and informal opportunities for people to respond to the stories we use to incite dialogue, and still other interactions, once we have put the initial stories out there, will happen without us doing anything whatsoever to orchestrate them. As stories elicit more stories by bouncing off of each other, organizational trajectories of meaning and understanding emerge. People’s actions provide a visible albeit subtle and ghostly trace of the impact of story-based communications.

Stories are not another lever in a machine. Machines or systems take known controlled inputs that produce reliable and consistent outputs. Stories are more chaotic. Once you stir up or perturbate the social fabric of individual nodes of sense making (aka the people in an organization) unexpected behaviors emerge. What is lost in control is gained in the propagating strength of the communication signal and the rolling waves of self-directed behaviors it has the potential to create. Communications function less like instructions and more like picture frames waiting to be filled with collages of vibrant photographs.